Buckbarthblues:
Für Tuba und elektrische Gitarre (Bagnolet <<Atem>>, 1984)
Un Concert imaginaire:
Für double bass, tuba and tape, mit Frédéric Stochl Festival d’Arc et Senans, 1985 (aufgenommen von FR3) .
Voix captives:
Für Tuba und tape Paris, Centre Pompidou, 1987 (commissioned by ‘Ensemble l’Itinéraire’).
Trois Miniatures:
Für solo trombone 1990 (Education commission of the ‘Ministère de la culture’)
Enjeux [state commission]:
Music theatre, Text: Guy Lelong, direction: Patrice Hamel; Dijon, Festival "Nouvelles scénes", Paris "Centre Georges Pompidou", 1993. Co-production Ircam und festival "Nouvelles scénes".
Zwischen:
Für Kontrabass trombone mit zwei bells Commissioned by ‘Ensemble Intercontemporain’. Centre Georges Pompidou, Paris, Juni 1997.
Fiction:
Music theatre for instrumental ensemble, First performed at the ZKM (Kubus), with students of the Musikhochschule Karlsruhe in May 2002
Adverb:
Für solo Cello and electronics 2001/2002 (State commission) First performance at Radio France, Juni 2002, performed by Eva Böcker, (Ensemble Modern).
Images de passage:
Musical clips for instrumental ensemble, Premiere in Mai 2003 im ZKM (Medientheater) in Karlsruhe.
Zwischen 3:
Für double bass trombone with two bells, and brass quintet. (July 2003 ) Commissioned by the Festival ‘Valley of Arts’ in Hungary, performed by ‘Brass in the five’,conducted by Gergely Vajda.
Transitoice "G":
Für Ensemble (23 musicians), commissioned by the Cefedem of Dijon, first performed at the festival ‘Why Note’ in November 2004.
Les danses du temps:
Für flute, clarinet, harp, viola and cello. Commissioned by "Ensemble Intercontemporain". First performance: October 2005 at the "Centre Georges Pompidou" in Paris, by soloists of the ’Ensemble Intercontemporain’.
Surimpressions:
Für percussion and electronics (2006). Commissioned by the ZKM in Karlsruhe and the ‘Studio Cesaré de Reims’. First performed im Oktober 2006 in Frankfurt by the ‘Ensemble Modern’, soloist: Rumi Ogawa. Aufgenommen am CNSM in Paris von Elisa Humanes.